והנה עוד מה אמרו המפתחים מתוך המגאז** Nintendo Dream (לא אביא את כולה):

Ken Sugimori (Game Freak, art director of Pokemon):  "You'll be able to do things with the Revolution that you could never do with consoles before," he says, adding with a laugh, "Personally, it's the kind of hardware where, more than making games, I'd rather play them."

Kouichi Suda (president of Grass Hopper Interactive, the studio behind Killer 7): Once he saw the controller at the product announcement, he felt that there was no choice but to make games for it. "I've already finalized a plan. Now, all that remains is to make it." Judging by Suda's comments, we can probably add Grass Hopper to the list of Revolution developers.

Tooru Iwatani (Namco -- father of Pac Man): Iwatani feels that the Revolution controller is one of the solutions to interface problems with games, adding, "Just as input with the Nintendo DS pen gave birth to new game contents, there are great possibilities hidden in this remote-like controller." He gives a couple of examples of game ideas, including a text input style game that targets people who've become used to inputting text with their thumbs on the cell phone. The controller gives the creative spirit of game creators a jolt, Iwatani states before finishing up his comments by asking that Nintendo continue from here on out to stimulate gamers and creators alike in new ways.

Hironobu Sakaguchi (Mistwalker -- father of Final Fantasy): "When I first saw it, I thought 'It's great!' and 'It's just like Nintendo!' It makes you feel like you're actually touching the screen. In that sense, you could say that it's an extension of the DS, but it's actually very different." Pointing out that the controller allows for a wide variety of actions, he adds, "When shown such a new concept, software makers are, even as just normal people, left excited."

Yasuhiro Wada (Marvelous Interactive -- father of Harvest Moon): Wada was at first taken back by the controller. He found it to be small and nicely designed, but as a controller, it crossed the bounds of his understanding. Once he got his hands on it, he suddenly got the idea and felt that it would work. This is similar to how he felt with the DS -- the feeling of various ideas appearing one after the other. "As a creator, this is the ultimate toy,"

Hiroshi Tanibuchi (Konami -- Powerful Pro series producer): Tanibuch states that he was surprised when he first saw the controller, adding "In truth -- and this is just between us -- I was able to get my hands on the controller. The on-screen characters move in accordance with the controller's movements -- it's such a fresh feeling. Although you probably won't understand until you've tried it yourself."

Toshihiro Nagoshi (Sega -- producer of F-Zero GX/AX and Super Monkey Ball): "I was surprised when I saw it, I was surprised when I touched it, and when I played the sample games, I was even more surprised!" Nagoshi states. "I doubt that there's a creator who doesn't get tickled after getting their hands on this. It combines all the elements required to let you enjoy games while feeling that you've become the character." Continuing, Nagoshi states that he expects the controller to open up new paths for all genres.

הנה לכם, היעילות של השלט מוכחת גם בהתנסות של ממש. המפתחים מתלהבים ממש, אפילו קוג'ימה, יוצר מטל גיר סוליד, מפתח משחק חדש ובלעדי ל'רבולושן'. הוא מתלהב מאוד מהפוטנציאל שבה, זאת בניגוד לרמזים המגוחכים של "מביני דבר" שנשמעו כאן בעבר על כך שקוג'ימה לועג ל'רבולושן' בדמות האמירה 'הרבולושן משולה לארוחת ערב ביתית'.

אמרתי לכם שזו נינטנדו, היא לא תאכזב עם השלט המהפכני שלה, לכן התלהבתי עוד לפני שבכלל נחשף. היה אפילו מי שאמר שבסופו של דבר היא תחשוף שלט פשוט יחסית חחח